Sam Briggs
Sep 30, 2020
Dog’s Breakfast [Matt Bissett-Johnson, Australia, 2020]
Oft-times, the trials and tribulations of life can feel like a misguided wander through the halls of cosmic insanity.
Sam Briggs
Sep 29, 2020
This is ME [Josh Pickup, UK, 2019]
Writer/director, Josh Pickup, does well to recognise the adaptability of Spoon Theory as a narrative device.
Sam Briggs
Sep 29, 2020
Sojourn New Mexico [Cameron Kashani, USA/Italy/Spain, 2020]
A varied array of handheld clips stitched together provide structure for the piece. Narratively, we begin with a more general selection...
Sam Briggs
Sep 26, 2020
Dark Tastes [Dan Couto, Canada, 2020]
Pitch dark both visually and tonally, steeped in mystery and intrigue, this ultra stylistic short piece is unparalleled in its ability to...
Sally Roberts
Sep 22, 2020
Welcome to Usma [Christopher Sherwood, UK, 2020]
Written and directed by Christopher Sherwood, this comic spoof on tourist promotional videos takes us on a tour of some beautiful scenery...
Sally Roberts
Sep 22, 2020
Untitled Ritual [Ruxandra Mitache, Romania, 2018]
Meditation is either someone’s idea of heaven or hell. For some, it can be a vital break from the chaos of the daily grind, for others...
Sally Roberts
Sep 22, 2020
My Romanian Diary [Carmen Lidia Vidu, Romania, 2019]
One thing that Vidu does very well is the portrayal of women’s rights.
Sally Roberts
Sep 22, 2020
Indignance [Chen Jiexiao, Singapore, 2017]
From Singin’ in the Rain [Stanley Donen & Gene Kelly, USA, 1952] to the slightly less iconic but equally drenched finale of Step Up 2: The S
Sally Roberts
Sep 21, 2020
Sixth Grade [Yuzhuo Wang, China, 2020]
Gege Zhou and Wanli Ma are two primary schoolers doing their utmost to stay together against the wishes of Gege’s parents, who want to move.
Sally Roberts
Sep 21, 2020
The Erl King [Callum Windsor, UK, 2020]
Julia, played by Louise Elliker, is the unlikely star of this film. She initially seems like the uninterested, unfeeling mother...