Sally Roberts
Oct 2, 2019
SHORT FOCUS 2019: Two Down [Rolfin Nyhus, UK, 2019]
All hail the greasy spoon! This is the message of Rolfin Nyhus’s charming six-minute short, Two Down. Set in a classic London café, three me
Sally Roberts
Oct 2, 2019
SHORT FOCUS 2019: Rath [Kevin Hu, USA, 2019]
The film opens with outlaw Howard on the run from the authorities. He stashes his sack of loot and makes a run for it through the endless du
Sally Roberts
Oct 2, 2019
Paracosm [Bahadir Karasu, Turkey, 2018]
Bahadir Karasu’s Paracosm joins this budding genre with its exploration of dreams, drugs and fate. The story opens with Mesut, who, unhappil
Sally Roberts
Sep 23, 2019
Beyond the Pointy Hat [Shannon Meilak, Australia, 2018]
During the filmed ceremony, we learn what a broomstick is actually used for, what the rituals try to achieve and how the newcomers felt abou
Sally Roberts
Sep 21, 2019
Turning Tide [Andrew Muir, UK, 2018]
The chemistry between David and the Nazi soldier is brilliant. So much is said through wordless communication, and is all the better for its
Sally Roberts
Sep 20, 2019
Tommy [Mike Stevens, Canada, 2018]
Lance Birley also gives a solid performance as callous father Frank Dupree, whose beefy malice is reminiscent of John Goodman’s quietly terr
Sally Roberts
Sep 20, 2019
You or Me [Yana Zinov, USA, 2019]
The short opens with an image of BDSM magazines strewn across a coffee table, yet while the theme of masochism runs throughout the film, it
Sally Roberts
Sep 20, 2019
Piercing Stillness [Arepo, Italy, 2019]
Although, in his director’s statement Arepo writes that his motives are to celebrate stillness in a world so caught up with movement, this s
Sally Roberts
Sep 20, 2019
Iyakkunar [Harish Gokul, India, 2018]
This short film eschews a conventional plot structure to get right to the heart of its message. As many short pieces make the mistake of try
Charlie Greep
Sep 20, 2019
Speaking Out [Hannah Brochocki, UK, 2019]
It’s a simple and no frills documentary without any of the gimmicks or hooks some documentaries feel they need to have to keep the audience’