Sally Roberts
Nov 18, 2019
I’m Not an Actress [Ali Jalali, Iran, 2019]
Initially, it is a bit difficult to know where the plot is taking us. Yes, the scenes of drug taking and exploitation are heart rending, but
Sally Roberts
Nov 13, 2019
Abaddon [Meriem Rebai, Germany, 2019]
'Abaddon' is a Hebrew word referring to both a place of destruction and an angel of the abyss. The opening of Abaddon in the clean,
Sally Roberts
Nov 13, 2019
25 Percent - A Confession [John Danbury, UK, 2019]
John Danbury’s film centres on the trauma of one fourteen-year-old girl (Imogen Danbury). Through well thought out costume changes, she is a
Charlie Greep
Nov 13, 2019
The Paradise [Mahmoodreza Esmaili Zand, Iran, 2019]
Director Mahmoodreza Esmaili Zand brings us a short drama in The Paradise. It is a tale of youth, rebellion and friendship told against the
Sam Briggs
Nov 4, 2019
Exigency [Chen Jiexiao, Singapore, 2017]
From the director of 2017’s I See You See I See You - official selection at Moving Image, Nicosia, Cyprus - comes Exigency, a similar dance
Sam Briggs
Nov 4, 2019
Diagnosis [Tanner Craft, USA, 2019]
Director Tanner Craft delivers a pressingly relevant short film, which tackles the pressures of single parenting in highly trying conditions
Sam Briggs
Nov 4, 2019
SHORT FOCUS 2019: Disco Dynamite [Tom Clover, UK, 2019]
One of Disco Dynamite’s enviable strengths is its colourful and comedic cast. Every character in the ensemble has that feeling of having the
Sally Roberts
Nov 4, 2019
Dust in the Abyss [Hongnian Yu, China, 2019]
This film has a strong start, with a well-shot scene of the helpless protagonists confronting the useless doctor. Although perhaps a bit on
Sally Roberts
Nov 3, 2019
A Scribbled Memory [Bhulla Beghal, UK, 2018]
A Scribbled Memory achieves what many short films attempt to do: it says an awful lot with awfully little. Using only black and white an aut
Sally Roberts
Nov 3, 2019
Landscapes of the Heart [Andrew Finch, UK, 2019]
This short is essentially a love letter to Brighton, the directors’ hometown. Although some could argue that this narrows the film’s appeal