Melody Chan
Mar 16, 2021
Whitewater [Tom Hamilton, UK, 2020]
A mystical woman, a redhead full of curls, walks out of the sea onto the shore with waves patting her legs...
Will Whitehead
Mar 12, 2021
Rut [James Henson, UK, 2017]
James Henson’s Rut reimagines Tales of the Unexpected for the oppressive world of 21st-century finance.
Will Whitehead
Mar 2, 2021
100% Girl [Chen Liangyu, Taiwan, 2019]
Chen Liangyu’s 100% Girl is a beautifully drawn glimpse into the ordinary made magical.
Dean Archibald-Smith
Dec 3, 2020
Under a Pandemic Sky [Thomas Pickarski, USA, 2020]
Multiple shots of empty, wet streets; water pouring from drains and gutters; waves crashing against rocks, and trees towering into the...
Dean Archibald-Smith
Dec 1, 2020
Weekend Daughter [William Haynes, UK, 2020]
A father is in charge of his daughter (Ada) for the weekend, and their (unspecified) time apart has clearly induced feelings of...
Dean Archibald-Smith
Dec 1, 2020
Lavender [Andrew Ball-Shaw, UK, 2020]
Andrew Ball-Shaw’s Lavender opens with a purple-filtered, soft focus close-up of a couple holding hands and walking through a lavender...
Vincent Dolan
Nov 16, 2020
The Fight [Bradley Shemmell, UK, 2020]
The central theme of The Fight is what it means to be an outsider, and how two people can band together to find solace.
Sam Briggs
Oct 20, 2020
Take Care [Djamel Turner, UK, 2020]
Oozing with atmosphere, Take Care gives a fine example of the exciting promise of young filmmakers, whilst still falling foul of many of...
Sam Briggs
Oct 14, 2020
Maya [Richard Fysh, UK, 2020]
Whilst dreams can provide a comforting, sugar-coated realm of escapism, so too, through their tendency toward self-deception...
Sam Briggs
Oct 6, 2020
Bodies [Tegan Clancy, Australia, 2018]
Our relationships with our bodies are complex and often contradictory, simultaneously sources of great empowerment...