.png)
![Switch [Reswin Bahas, Australia, 2021]](https://static.wixstatic.com/media/9b7dde_d3f1b3b980a84aa2ac275b0f4c512e6e~mv2.jpg/v1/fill/w_1260,h_708,fp_0.50_0.50,q_90,enc_auto/9b7dde_d3f1b3b980a84aa2ac275b0f4c512e6e~mv2.jpg)
Alex Hutson
Mar 29, 2021
Switch [Reswin Bahas, Australia, 2021]
Australian short film Switch takes the audience on a journey of regret and remorse from the perspective of a gas station cashier....
![The Painting [Boldizsár CR, Italy, 2018]](https://static.wixstatic.com/media/9b7dde_47ad8a2153f446b9b168cce7b42a0a49~mv2_d_2880_1247_s_2.jpg/v1/fill/w_1260,h_708,fp_0.50_0.50,q_90,enc_auto/9b7dde_47ad8a2153f446b9b168cce7b42a0a49~mv2_d_2880_1247_s_2.jpg)
Thom Carter
Dec 19, 2019
The Painting [Boldizsár CR, Italy, 2018]
Sednaoui spends the time waiting for, then searching out, a mysterious painting, in a lightly avant-garde story she leads with subtle, langu
![Cry of the City [Boldizsár CR, UK, 2017]](https://static.wixstatic.com/media/9b7dde_5697dc58a5384f989b3371a970e04a96~mv2_d_2987_1686_s_2.jpg/v1/fill/w_1260,h_712,fp_0.50_0.50,q_90,enc_auto/9b7dde_5697dc58a5384f989b3371a970e04a96~mv2_d_2987_1686_s_2.jpg)
Thom Carter
Dec 2, 2019
Cry of the City [Boldizsár CR, UK, 2017]
Cry of the City shares its title with the partially remembered Robert Siodmak noir from 1948, a film in its design and making so fastidiousl
![Zenú [Claudio Marcotulli, USA, 2018]](https://static.wixstatic.com/media/9b7dde_80c4b40a980c453d8ec20c0cf3e5e667~mv2.jpg/v1/fill/w_1260,h_708,fp_0.50_0.50,q_90,enc_auto/9b7dde_80c4b40a980c453d8ec20c0cf3e5e667~mv2.jpg)
Thom Carter
Nov 13, 2019
Zenú [Claudio Marcotulli, USA, 2018]
In Claudio Marcotulli’s kaleidoscopic Zenú, Ignacio (Marcotulli) is a musician creatively blocked by the incessant whistling of the trains t
![The Painting in the Lobby [Mycle Scheuer, UK, 2018]](https://static.wixstatic.com/media/9b7dde_0027aa7a2f65444b9dbdd8203bbab5ad~mv2_d_2880_1614_s_2.jpg/v1/fill/w_1260,h_708,fp_0.50_0.50,q_90,enc_auto/9b7dde_0027aa7a2f65444b9dbdd8203bbab5ad~mv2_d_2880_1614_s_2.jpg)
Thom Carter
Oct 27, 2019
The Painting in the Lobby [Mycle Scheuer, UK, 2018]
The great French critic André Bazin, commenting on the 1951 film Where No Vultures Fly [Henry Watt, UK], observed of one of its sequences, d
![Screen Test: Part One [Emma Sywyj, UK, 2016]](https://static.wixstatic.com/media/9b7dde_f3e491245ada4d7b8d813a0d318bcd15~mv2_d_2761_1608_s_2.jpg/v1/fill/w_1260,h_732,fp_0.50_0.50,q_90,enc_auto/9b7dde_f3e491245ada4d7b8d813a0d318bcd15~mv2_d_2761_1608_s_2.jpg)
Thom Carter
Oct 15, 2019
Screen Test: Part One [Emma Sywyj, UK, 2016]
In the enterprise of creating popular cinema a surfeit of filmed and written material is produced and discarded. One feels that the gleaning
![Sure! A Myth of Three Creations [Pacco Fanti, Brazil, 2018]](https://static.wixstatic.com/media/9b7dde_12c5c59adba540308b66e3c5886627d7~mv2_d_2395_1551_s_2.jpg/v1/fill/w_1260,h_816,fp_0.50_0.50,q_90,enc_auto/9b7dde_12c5c59adba540308b66e3c5886627d7~mv2_d_2395_1551_s_2.jpg)
Thom Carter
Oct 15, 2019
Sure! A Myth of Three Creations [Pacco Fanti, Brazil, 2018]
A gnomic animation proceeds in which worm-like lifeforms interact with a higher entity. A piece of paper handed down from on high is passed
![Chemicals, Like God [Matthew Roe & Kat Parker, USA, 2017]](https://static.wixstatic.com/media/9b7dde_2ea607ae30c443c8ad79c258d040e636~mv2_d_2880_1570_s_2.jpg/v1/fill/w_1260,h_708,fp_0.50_0.50,q_90,enc_auto/9b7dde_2ea607ae30c443c8ad79c258d040e636~mv2_d_2880_1570_s_2.jpg)
Thom Carter
Oct 15, 2019
Chemicals, Like God [Matthew Roe & Kat Parker, USA, 2017]
In Chemicals, Like God, whatever ‘release’ is attained is coded with the displacement implied by the word. The biological imperative to sate
![Striplight [Alexander Clare, UK, 2018]](https://static.wixstatic.com/media/9b7dde_d8a699a7b4b742ad8b5359d2677da6d7~mv2_d_2880_1211_s_2.jpg/v1/fill/w_1260,h_708,fp_0.50_0.50,q_90,enc_auto/9b7dde_d8a699a7b4b742ad8b5359d2677da6d7~mv2_d_2880_1211_s_2.jpg)
Thom Carter
Aug 20, 2019
Striplight [Alexander Clare, UK, 2018]
The white-collar workspace of the mid-to-late twentieth century is an assemblage of productivity design concepts: spatial, sartorial, conver
![Tutu and Pointes [Irina Pizania, UK, 2018]](https://static.wixstatic.com/media/9b7dde_7e3e855f04274f19a3db651cef1c62ef~mv2.jpg/v1/fill/w_1260,h_840,fp_0.50_0.50,q_90,enc_auto/9b7dde_7e3e855f04274f19a3db651cef1c62ef~mv2.jpg)
Sally Roberts
Jul 31, 2019
Tutu and Pointes [Irina Pizania, UK, 2018]
In present circumstances, London seems an unlikely setting for fairy godmothers and last-minute miracles. Irina Pizania’s film Tutu and Poin
![SHORT FOCUS 2022: So What Did We Learn Today, Georgina? [Franco Volpi, UK, 2022]](https://static.wixstatic.com/media/9b7dde_f048f3b1e32c48918d83c1285916aa3c~mv2.png/v1/fill/w_880,h_492,fp_0.50_0.50,q_95,enc_auto/9b7dde_f048f3b1e32c48918d83c1285916aa3c~mv2.png)
![Two Knights [Piotr Szkopiak, UK, 2022]](https://static.wixstatic.com/media/9b7dde_4b197f184db54afc95f775fe48320bd7~mv2.jpeg/v1/fill/w_880,h_492,fp_0.50_0.50,q_90,enc_auto/9b7dde_4b197f184db54afc95f775fe48320bd7~mv2.jpeg)
![SHORT FOCUS 2022: Throw Your Heart Over First [Mark McAuley, Ireland, 2021]](https://static.wixstatic.com/media/9b7dde_f17e64582f494d729a117bddc19545a9~mv2.png/v1/fill/w_880,h_492,fp_0.50_0.50,q_95,enc_auto/9b7dde_f17e64582f494d729a117bddc19545a9~mv2.png)
![Borrowed Time [Ginevra Gentili, UK, 2022]](https://static.wixstatic.com/media/9b7dde_ed0c27adf0984653a11c5104f74a1b58~mv2.jpeg/v1/fill/w_880,h_492,fp_0.50_0.50,q_90,enc_auto/9b7dde_ed0c27adf0984653a11c5104f74a1b58~mv2.jpeg)
![SHORT FOCUS 2021: Cornflakes Are Rubbish [Charlotte Nind/Jacob Bacon, UK, 2021]](https://static.wixstatic.com/media/9b7dde_800e4f3cde6147399b1eee00f4337095~mv2.jpeg/v1/fill/w_880,h_492,fp_0.50_0.50,q_90,enc_auto/9b7dde_800e4f3cde6147399b1eee00f4337095~mv2.jpeg)
![SHORT FOCUS 2021: Original Sin [Paolo Sinigaglia, Italy, 2020]](https://static.wixstatic.com/media/9b7dde_ca789cc5313b4f94bf20f025dc4796ee~mv2.jpg/v1/fill/w_880,h_492,fp_0.50_0.50,q_90,enc_auto/9b7dde_ca789cc5313b4f94bf20f025dc4796ee~mv2.jpg)
![SHORT FOCUS 2021: Shallow [Paul Ashton, UK, 2021]](https://static.wixstatic.com/media/9b7dde_951699be78e74888bc681fcd9d6c24cc~mv2.jpg/v1/fill/w_880,h_492,fp_0.50_0.50,q_90,enc_auto/9b7dde_951699be78e74888bc681fcd9d6c24cc~mv2.jpg)
![SHORT FOCUS 2021: Bohemia [Samuel Kaperski, France, 2019]](https://static.wixstatic.com/media/9b7dde_d748c63a3c814cb99859c13d18c00d7d~mv2.jpg/v1/fill/w_880,h_492,fp_0.50_0.50,q_90,enc_auto/9b7dde_d748c63a3c814cb99859c13d18c00d7d~mv2.jpg)
![SHORT FOCUS 2022: So What Did We Learn Today, Georgina? [Franco Volpi, UK, 2022]](https://static.wixstatic.com/media/9b7dde_f048f3b1e32c48918d83c1285916aa3c~mv2.png/v1/fill/w_232,h_132,fp_0.50_0.50,q_95,enc_auto/9b7dde_f048f3b1e32c48918d83c1285916aa3c~mv2.png)
![In the Eyes of a Child [Marco Ferrara, Italy, 2023]](https://static.wixstatic.com/media/9b7dde_01e294bd769e4a8aa341551ca7bc7871~mv2.jpeg/v1/fill/w_232,h_132,fp_0.50_0.50,q_90,enc_auto/9b7dde_01e294bd769e4a8aa341551ca7bc7871~mv2.jpeg)
![Two Knights [Piotr Szkopiak, UK, 2022]](https://static.wixstatic.com/media/9b7dde_4b197f184db54afc95f775fe48320bd7~mv2.jpeg/v1/fill/w_232,h_132,fp_0.50_0.50,q_90,enc_auto/9b7dde_4b197f184db54afc95f775fe48320bd7~mv2.jpeg)
![SHORT FOCUS 2022: Throw Your Heart Over First [Mark McAuley, Ireland, 2021]](https://static.wixstatic.com/media/9b7dde_f17e64582f494d729a117bddc19545a9~mv2.png/v1/fill/w_232,h_132,fp_0.50_0.50,q_95,enc_auto/9b7dde_f17e64582f494d729a117bddc19545a9~mv2.png)
![The Story of a Trout [Gareth Leah, USA, 2022]](https://static.wixstatic.com/media/9b7dde_044565b04f7b4b6da729f134c619e377~mv2.jpeg/v1/fill/w_232,h_156,fp_0.50_0.50,q_90,enc_auto/9b7dde_044565b04f7b4b6da729f134c619e377~mv2.jpeg)
![My Name is Moe [Kabir McNeely, USA, 2022]](https://static.wixstatic.com/media/9b7dde_680ffd6c85f642a6844b8785364c4288~mv2.jpg/v1/fill/w_232,h_176,fp_0.50_0.50,q_90,enc_auto/9b7dde_680ffd6c85f642a6844b8785364c4288~mv2.jpg)
![Borrowed Time [Ginevra Gentili, UK, 2022]](https://static.wixstatic.com/media/9b7dde_ed0c27adf0984653a11c5104f74a1b58~mv2.jpeg/v1/fill/w_232,h_132,fp_0.50_0.50,q_90,enc_auto/9b7dde_ed0c27adf0984653a11c5104f74a1b58~mv2.jpeg)
![SHORT FOCUS 2021: Cornflakes Are Rubbish [Charlotte Nind/Jacob Bacon, UK, 2021]](https://static.wixstatic.com/media/9b7dde_800e4f3cde6147399b1eee00f4337095~mv2.jpeg/v1/fill/w_232,h_132,fp_0.50_0.50,q_90,enc_auto/9b7dde_800e4f3cde6147399b1eee00f4337095~mv2.jpeg)