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![Quadrant [Marta Arjona Blasca & Mei Casabona, Spain, 2017]](https://static.wixstatic.com/media/9b7dde_7bd5d8f805f24d86b936f04200d9e846~mv2.jpg/v1/fill/w_315,h_210,fp_0.50_0.50,q_90,enc_auto/9b7dde_7bd5d8f805f24d86b936f04200d9e846~mv2.webp)
Alison Girault
Nov 15, 2018
Quadrant [Marta Arjona Blasca & Mei Casabona, Spain, 2017]
Marta Arjona Blasca and Mei Casabona’s Quadrant is a socially conscious dance film that interrogates modern notions of gender roles and...
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![Lemon [Timothy Michael Cooper, USA, 2017]](https://static.wixstatic.com/media/9b7dde_2d240823b4af4ad590fa1e1c3c50babe~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_2d240823b4af4ad590fa1e1c3c50babe~mv2.webp)
Alison Girault
Nov 6, 2018
Lemon [Timothy Michael Cooper, USA, 2017]
How well do we really know the people we love? And at what moment can one really decide when it’s the right time to devote the rest of...
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![The Garden of Gethsemane [Galina Altman, Russia, 2018]](https://static.wixstatic.com/media/9b7dde_897b6431a4e241dd9daba8b03602872e~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_897b6431a4e241dd9daba8b03602872e~mv2.webp)
Walt Eastfield
Nov 5, 2018
The Garden of Gethsemane [Galina Altman, Russia, 2018]
The shot of a woman’s hand caressing the tips of barley in a sprawling countryside field beneath a clear blue sky, instantly recalls the...
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![Hindsight (In Real Time) [Tom Worrall, UK, 2017]](https://static.wixstatic.com/media/9b7dde_b87392a78e1d42beb490bf068ea65110~mv2.jpg/v1/fill/w_315,h_210,fp_0.50_0.50,q_90,enc_auto/9b7dde_b87392a78e1d42beb490bf068ea65110~mv2.webp)
Walt Eastfield
Nov 5, 2018
Hindsight (In Real Time) [Tom Worrall, UK, 2017]
Hindsight (In Real Time) takes places in an alternate world where everyone knows when and how they are going to die. Peter Welles is the...
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![Utakata [Luca Ogawa Depardon, USA, 2017]](https://static.wixstatic.com/media/9b7dde_514c9becc2e2444eab09fd94b2697240~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_514c9becc2e2444eab09fd94b2697240~mv2.webp)
Walt Eastfield
Nov 3, 2018
Utakata [Luca Ogawa Depardon, USA, 2017]
“We are all ants! And ants are inside you!” reads the cryptic tagline from Luca Ogawa Depardon’s playfully surrealistic Utakata....
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![For Liberty [Roan Bibby, USA, 2017]](https://static.wixstatic.com/media/9b7dde_ca9de1ddcc5b4ab9ba84f31bef4a768e~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_ca9de1ddcc5b4ab9ba84f31bef4a768e~mv2.webp)
Patricia Watney
Nov 3, 2018
For Liberty [Roan Bibby, USA, 2017]
The film opens with a dream sequence of our protagonist Jim peering through a telescope at a bikini-clad woman in sunglasses. He wakes...
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![A City of Nature [Felicity Silverthorne, Ireland, 2017]](https://static.wixstatic.com/media/9b7dde_e898dc8f96504bddb1b2c9d90e47fa86~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_e898dc8f96504bddb1b2c9d90e47fa86~mv2.webp)
Walt Eastfield
Nov 3, 2018
A City of Nature [Felicity Silverthorne, Ireland, 2017]
A City of Nature is a 5-minute documentary about environmental conservation efforts in Galway, Ireland. It is a very low-budget ‘talking...
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![SHORT FOCUS 2018: Iconoclast [Alex Haney, USA, 2017]](https://static.wixstatic.com/media/9b7dde_8fbe95a78e8b4e3e9f84b0117e78e5bd~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_8fbe95a78e8b4e3e9f84b0117e78e5bd~mv2.webp)
Walt Eastfield
Nov 1, 2018
SHORT FOCUS 2018: Iconoclast [Alex Haney, USA, 2017]
Alex Haney’s Iconoclast is a bold and compelling exploration of shame and denial told through the eyes of a black, Jewish and gay...
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![SHORT FOCUS 2018 – JURY PRIZE: XCTRY [Bill Brown, USA, 2018]](https://static.wixstatic.com/media/9b7dde_350ab3a58747492aa0063f5d07f65266~mv2.jpg/v1/fill/w_315,h_236,fp_0.50_0.50,q_90,enc_auto/9b7dde_350ab3a58747492aa0063f5d07f65266~mv2.webp)
Michael K. Adler
Oct 30, 2018
SHORT FOCUS 2018 – JURY PRIZE: XCTRY [Bill Brown, USA, 2018]
Bill Brown’s paean to the romance of the road is a wonderfully constructed visual journal and an artful document that elegantly captures...
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![Number 13 [Jonell Rowe, UK, 2017]](https://static.wixstatic.com/media/9b7dde_a5ddc26c9cc04ec791791a8f3fead016~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_a5ddc26c9cc04ec791791a8f3fead016~mv2.webp)
Michael K. Adler
Oct 1, 2018
Number 13 [Jonell Rowe, UK, 2017]
We’ve all been there before: stuck in a seemingly never-ending supermarket queue that dwindles only at the mercy of the dead-eyed, grumpy...