
![Yours Are Mine [Brooke Trantor, USA, 2018]](https://static.wixstatic.com/media/9b7dde_7bf51e8750fd461d9be1cad7defe21c2~mv2.jpg/v1/fill/w_315,h_321,fp_0.50_0.50,q_90,enc_auto/9b7dde_7bf51e8750fd461d9be1cad7defe21c2~mv2.webp)
Sally Roberts
Oct 27, 2019
Yours Are Mine [Brooke Trantor, USA, 2018]
One thing that stands out in this short is its portrayal of healthy, supportive relationships between women. Although things are now slowly

![Empyreal [Lucas Coyte, UK, 2018]](https://static.wixstatic.com/media/9b7dde_9a7b141ad56c46c8b413f938ccd962a0~mv2_d_2880_1224_s_2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_9a7b141ad56c46c8b413f938ccd962a0~mv2_d_2880_1224_s_2.webp)
Sally Roberts
Oct 27, 2019
Empyreal [Lucas Coyte, UK, 2018]
Somewhat fittingly, the film’s main strength is its use of space - in both senses of the word. By setting one small object within a screenfu

![Darkus Buckerbergius [Schikhur, India, 2019]](https://static.wixstatic.com/media/9b7dde_efe7dfd147ee404ab2d3ef50a2353b04~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_efe7dfd147ee404ab2d3ef50a2353b04~mv2.webp)
Sally Roberts
Oct 27, 2019
Darkus Buckerbergius [Schikhur, India, 2019]
The link made between more advanced methods of communication and greater social equality strikes a chord with recent controversies surroundi

![The Painting in the Lobby [Mycle Scheuer, UK, 2018]](https://static.wixstatic.com/media/9b7dde_0027aa7a2f65444b9dbdd8203bbab5ad~mv2_d_2880_1614_s_2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_0027aa7a2f65444b9dbdd8203bbab5ad~mv2_d_2880_1614_s_2.webp)
Thom Carter
Oct 27, 2019
The Painting in the Lobby [Mycle Scheuer, UK, 2018]
The great French critic André Bazin, commenting on the 1951 film Where No Vultures Fly [Henry Watt, UK], observed of one of its sequences, d

![SHORT FOCUS 2019: Real Shame [Gwen O'Toole, UK, 2019]](https://static.wixstatic.com/media/9b7dde_99320b44c7ad46d39f365cbbc67d1b36~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_99320b44c7ad46d39f365cbbc67d1b36~mv2.webp)
Sam Briggs
Oct 27, 2019
SHORT FOCUS 2019: Real Shame [Gwen O'Toole, UK, 2019]
A-Level results day: a testing time in the life of any young academic, even more so for Real Shame’s Benjy who will, on this day, admit to h

![The Turner Exhibit [Mathew Gregory Bainbridge, USA, 2019]](https://static.wixstatic.com/media/9b7dde_488e9110552e4683971da331d9a8c94b~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_488e9110552e4683971da331d9a8c94b~mv2.webp)
Sam Briggs
Oct 27, 2019
The Turner Exhibit [Mathew Gregory Bainbridge, USA, 2019]
Any family can seem perfect from the outside, though, despite the illusion, this is very rarely the case. The Turner Exhibit explores inter-

![SHORT FOCUS 2019: Cry [Guy Wilson, UK, 2018]](https://static.wixstatic.com/media/9b7dde_dac61bba7cb14535aa62cf93fc666f2a~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_dac61bba7cb14535aa62cf93fc666f2a~mv2.webp)
Sam Briggs
Oct 27, 2019
SHORT FOCUS 2019: Cry [Guy Wilson, UK, 2018]
Some really strong filmmaking nuances are exhibited midway through proceedings, when Andrew comes horrifyingly close to abducting another ma

![The Underground Empire [Manuel del Negro, Italy, 2019]](https://static.wixstatic.com/media/9b7dde_344350bd4bf2403c98798f6a4fc2c490~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_344350bd4bf2403c98798f6a4fc2c490~mv2.webp)
Charlie Greep
Oct 24, 2019
The Underground Empire [Manuel del Negro, Italy, 2019]
Thematically, The Underground Empire explores human progress and how humans and the natural world are both entwined with each other and yet

![Screen Test: Part One [Emma Sywyj, UK, 2016]](https://static.wixstatic.com/media/9b7dde_f3e491245ada4d7b8d813a0d318bcd15~mv2_d_2761_1608_s_2.jpg/v1/fill/w_315,h_183,fp_0.50_0.50,q_90,enc_auto/9b7dde_f3e491245ada4d7b8d813a0d318bcd15~mv2_d_2761_1608_s_2.webp)
Thom Carter
Oct 15, 2019
Screen Test: Part One [Emma Sywyj, UK, 2016]
In the enterprise of creating popular cinema a surfeit of filmed and written material is produced and discarded. One feels that the gleaning

![Sure! A Myth of Three Creations [Pacco Fanti, Brazil, 2018]](https://static.wixstatic.com/media/9b7dde_12c5c59adba540308b66e3c5886627d7~mv2_d_2395_1551_s_2.jpg/v1/fill/w_315,h_204,fp_0.50_0.50,q_90,enc_auto/9b7dde_12c5c59adba540308b66e3c5886627d7~mv2_d_2395_1551_s_2.webp)
Thom Carter
Oct 15, 2019
Sure! A Myth of Three Creations [Pacco Fanti, Brazil, 2018]
A gnomic animation proceeds in which worm-like lifeforms interact with a higher entity. A piece of paper handed down from on high is passed