
![Poolside [Alex Kinter & Erik Schuessler, USA, 2020]](https://static.wixstatic.com/media/9b7dde_bde88747e4114d1e88a5dc4e7c898b9e~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_bde88747e4114d1e88a5dc4e7c898b9e~mv2.webp)
Paromita Sengupta
Apr 11, 2021
Poolside [Alex Kinter & Erik Schuessler, USA, 2020]
‘How long do you have to be alone before you go crazy?’ Set in the 1950s America, Poolside is a suspense thriller with questions that run...

![Covid Tales: House Party [Mike Spence, United Kingdom, 2021]](https://static.wixstatic.com/media/9b7dde_fa7ff9aba5374ba083264d16ac5f41f9~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_fa7ff9aba5374ba083264d16ac5f41f9~mv2.webp)
Marcus Hansen
Apr 11, 2021
Covid Tales: House Party [Mike Spence, United Kingdom, 2021]
In the age or ageing of COVID-19, former barriers—between work and play, community and solidarity, movement and stasis—have melted away.

![Amaranthine [Chen Jiexiao, Singapore/China, 2021]](https://static.wixstatic.com/media/9b7dde_adf1c9acaf8745aa9435d1b5d220b7cd~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_adf1c9acaf8745aa9435d1b5d220b7cd~mv2.webp)
Daniel Hess
Mar 21, 2021
Amaranthine [Chen Jiexiao, Singapore/China, 2021]
A densely packed and highly meditative experimental short film, Amaranthine provides a strong commentary on the gentrification...

![Starlings [Simon Allen, UK, 2021]](https://static.wixstatic.com/media/9b7dde_280ad9c67c8f470892d343c6bb9fe873~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_280ad9c67c8f470892d343c6bb9fe873~mv2.webp)
Natalia Brammen
Mar 6, 2021
Starlings [Simon Allen, UK, 2021]
Since the creation of cinema, filmmakers, critics, and even audiences have often favoured the visual aspect of filmmaking.

![Quiet Moments [Lucy Birnie, UK, 2021]](https://static.wixstatic.com/media/9b7dde_5e5339e5ba2d4246abfb261c187f8327~mv2.jpg/v1/fill/w_315,h_177,fp_0.50_0.50,q_90,enc_auto/9b7dde_5e5339e5ba2d4246abfb261c187f8327~mv2.webp)
Luca di-Maio
Mar 3, 2021
Quiet Moments [Lucy Birnie, UK, 2021]
Pandemic filmmaking is a real phenomenon that is spawning some quality cinema from hardy creatives that are bending over backwards...