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Charlie Greep
Aug 20, 2019
One Night Only [Matt Bissett-Johnson, Australia, 2018]
One Night Only is a short but memorable piece of animation that feels simultaneously indebted to classic animation, with its slapstick and b
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Sam Briggs
Aug 12, 2019
Battersea Power Station [L. T. Hewitt, UK, 2019]
Battersea Power Station’s strength is in its bravery. As a first time film from director, writer, editor, actor and producer L.T. Hewitt und
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Sam Briggs
Aug 12, 2019
The City of Honey [Moein Ruholami, Iran, 2018]
The City of Honey operates on a simple duality: the wonderment of a child’s imagination vs. the crushing reality of life in areas reeling fr
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Sally Roberts
Aug 4, 2019
Clean Up on Aisle 9 [Derrick J. Johnson, USA, 2018]
Having just defeated the Wildcats in the football game of the year, Cody (Jesse Carver) is forced to pass up a crazy house party (and the ch
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Sally Roberts
Aug 4, 2019
There’s No Sin To The South of Ecuador [Igor Furtado, Brazil, 2019]
There’s No Sin To The South of Ecuador arguably has two leading roles: one is a man in a wedding dress; the other is the Virgin Mary. Both a
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Sally Roberts
Aug 3, 2019
SHORT FOCUS 2019: Tide [Berkant Dumlu, Switzerland, 2019]
Although Tide has many levels of interpretation, as the sun glares down in record temperatures and unprecedented fires rage across the melti
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Sally Roberts
Aug 2, 2019
Supper for Civilised Girls [Ella Robertson, UK, 2019]
The film opens with Millie (Holland Bailey) and Francesca (Hiral Varsani), two schoolgirls on their way to meet the formidable Miss Kerswell
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Sally Roberts
Aug 2, 2019
The Curious Child [Howard Vause, UK, 2019]
The Curious Child is an unusual film both in its aesthetics and in its content. It manages to be suitable for younger viewers without being
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